⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣠⠄⠾⡠⣠⠬⡦⠖⢢⡤⠇⠀⠀⠀⠀⠀⠀⡀⣠⠀⡀⣠⠒⣤⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠂⢨⠀⠀⡇⠑⣹⣞⠁⠥⠁⠀⠀⠀⠀⠀⠀⢀⡐⣔⡛⣇⠯⡐⣽⣆⡤⠢⢠⡀
⢠⠄⠀⠀⠀⠀⠀⡠⠀⠀⠀⢀⠀⠀⡀⠀⡀⢸⡀⠀⣄⠀⡀⠀⣀⡀⠀⠁⢀⠙⡳⣯⡿⠛⢡⢿⠉⠀⠀⠔
⠰⡠⠀⠀⠀⠀⠠⠬⣤⣄⣠⠄⢈⡀⠀⠈⡹⡿⠤⡌⡥⣃⡁⣿⣿⠗⠂⢐⠀⠀⣼⢿⠋⠀⣴⡏⠀⠀⠀⠀
⠀⠘⠒⠖⠒⡲⠒⠈⠉⠱⠑⠶⢂⣂⠔⣪⢀⣇⢀⢠⡎⠓⢤⢫⠜⠳⡄⠀⢡⠠⠽⠚⠁⠒⡟⡣⠂⠀⠀⠀
⠀⠀⠀⡇⡘⠄⠀⠀⠀⠃⠀⠀⢸⠀⡁⢠⢼⡿⢖⡎⢢⠴⠓⠿⡿⣇⢯⣿⣬⡈⣀⡖⢀⣆⣇⣥⡤⠀⠀⠀
⠀⠀⠀⠇⠀⠀⠀⠀⠀⠀⠀⠀⠈⢀⠀⠡⡘⢦⢈⡇⠁⢀⠔⢿⢽⡟⣂⣝⠏⢇⡭⠆⡀⠘⣷⠋⠀⠀⠀⠀
⠀⠀⣰⣳⡆⢀⠀⠀⠀⠀⠀⠀⠀⠘⠱⣅⢧⡻⠺⡇⣠⢯⠔⣁⣭⠬⠀⠀⣸⡯⢎⠘⠁⠂⣧⠄⢀⠀⢃⠀
⠀⠀⠘⡟⠃⠀⠂⠀⠀⠀⠀⠀⠀⠀⢀⢘⣦⡈⢧⣮⣂⣆⠌⠈⠌⠀⢀⡀⢻⢽⡚⠀⠀⡤⡇⡠⠀⠀⠘⠀
⠀⠀⠀⠀⠀⠀⠀⠀⡀⠀⠀⠀⠠⠜⢙⠉⠪⡁⡿⣵⣮⣿⣥⠲⣱⡾⠛⣶⣴⡶⠖⠀⠀⣁⣧⣇⡼⠀⠐⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠁⣀⡾⠌⠚⡍⠉⢳⢾⣿⣷⣿⠿⠟⣼⣧⡍⣐⠪⣲⡘⠃⠄⢐⡂⠿⡋⠩⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⡘⠃⠀⠀⠀⠀⠀⠳⣭⣿⣟⣿⣟⢏⢨⣁⠘⠊⢹⣈⠙⣮⣳⢎⠼⣾⢵⢰⠀⡁⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡈⣴⢾⠳⢉⠉⠉⢣⡁⡋⠓⠢⢄⠀⡼⣯⡼⠉⠞⢿⢾⠘⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢄⡇⡀⠀⠀⠀⢠⠄⣤⣠⠀⠀⠀⢇⡀⠁⣼⠁⣹⣌⣹⠏⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠉⠧⠀⠀⠀⠀⠀⠀⠘⢘⠀⠀⢀⢰⡷⡧⣻⡦⠹⠅⠃⡇⢀⡀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⠂⠠⣼⢏⠐⠘⠻⠇⢭⣯⣖⡵⠈⠐⠂
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⠆⣄⢀⠘⢞⡤⣳⠮⠅⢦⣛⢻⠁⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⠎⠀⡠⣣⣈⠬⠿⢋⣎⠰⣝⡇⢺⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠠⠃⠀⠀⠀⠑⠈⡧⢔⠀⣶⠅⠒⠃⢸⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⠇⠠⠄⣷⣩⠸⠀⢸⡁⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⡆⠀⠀⣷⣿⠀⠀⢻⠗⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠐⣇⠀⠀⡿⠜⠀⠀⠈⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡍⠀⠄⣧⡵⠄⡀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⡇⠀⢱⡷⠋⠠⠄⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡆⠀⠠⠵⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠃⠀⠤⣧⠄⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡇⠠⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠁⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀
⠀
𝓡esistance, 𝓥isibility & 𝓟leasure.
Ref𝓻ami𝓷g 𝓝on-Consens𝓾al 𝓟ornogra𝓹hy 𝓽hrou𝓰h 𝓠ueer Len𝓼es.
Thesis project in the MA’s department of Social Design at Design Academy Eindhoven, The Netherlands. Tutored by Darunee Terdtoontaveedej.
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Starting from the dynamics of image-based s3xu4l abu5e of the Telegram case, to patriarchal populism rooted in right-wing narratives –echoing in the rejection of the DDL Zan in 2021–, I draw on Monique Wittig’s theory of the straight mind, which frames cis-heteronormativity as a political regime.
Within this framework, I turn to Legacy Russell’s glitch feminism as an active methodology of refusal and a healing practice, where queer artistic and visual practices become sites of intervention, opening to new narratives against systems of domination.
Building on Wittig’s lesbian theory and Russell’s glitch feminism, I explored the economy of exposure of bodies online: how digital voyeurism raises ethical frictions, blurs the boundaries between private and public, and turns digital bodies into collectable and pocketable sources of consumption.
When digital blueprints of bodies are repeatedly weaponised, reclaiming visibility and exposure on one’s own terms becomes a radical and political act.
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Second edition of 8 printed copies
© otti Ferraris 2025